Read the real Chinese classics
Public-domain literature in a learner's reader. Try it right here — no account, everything stays in your browser.
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Try it — tap a word.
- 我
- wǒ — I; me (HSK 1)
- 家
- jiā — home; family; house (HSK 1)
- 的
- de — (possessive particle) 's; of (HSK 1)
- 後面
- hòu mian — behind; the back; the rear (HSK 1)
- 有
- yǒu — to have; there is (HSK 1)
- 一個
- yī gè — one; a (with the general measure word) (HSK 1)
- 很
- hěn — very (HSK 1)
- 大
- dà — big; large (HSK 1)
- 的
- de — (possessive particle) 's; of (HSK 1)
魯迅《朝花夕拾·從百草園到三味書屋》(1926) · public domain
Where do I start?
One chapter per level, ordered easiest first by how much of its vocabulary sits at HSK 4 or below. One click lands you in the reader.
- HSK 1–2: 第三章 (Grandfather and the Back Garden) — 呼蘭河傳 Not ready for original literature? Start the HSK 1–2 course →
- HSK 3: 春風沉醉的晚上 (Intoxicated Spring Nights) — 郁達夫小說選 Not ready for original literature? Start the HSK 3 course →
- HSK 4: 在酒樓上 (In the Wine Shop) — 彷徨 Not ready for original literature? Start the HSK 4 course →
- HSK 5: 五 羊群 (The Flock of Sheep) — 生死場 Not ready for original literature? Start the HSK 5 course →
- HSK 6+: 疲倦的母親 (The Weary Mother) — 空山靈雨 Not ready for original literature? Start the HSK 6+ course →
New to reading Chinese? Browse beginner-friendly chapters →
All eleven books
Xiao Hong's lyrical last novel — a childhood in a small Manchurian town, told in seven chapters and an epilogue.
Nine stories of exile, poverty and thwarted desire from the most confessional voice of the May Fourth generation — 沉淪 (Sinking) scandalised 1921 and made his name.
The second collection — 祝福 (New Year's Sacrifice), 傷逝 and nine more stories of disillusion after the May Fourth movement.
The novel that made Xiao Hong's name, published under Lu Xun's wing with his preface — peasant life in a Manchurian village, then what the Japanese occupation did to it. Seventeen short, unsparing chapters.
Forty-odd prose miniatures — parables, sketches and aphorisms, most of them a page or less. Alongside 朝花夕拾, the gentlest way into the library.
Ten warm, sharp memoir essays about childhood in Shaoxing — the gentlest entry point into Lu Xun's prose.
Lu Xun's last fiction collection — eight myths and histories retold deadpan: Nüwa patching the sky, Yi shooting down the suns, Yu taming the flood, Zhuangzi arguing with a skeleton he just revived.
Lu Xun's first story collection — 狂人日記, 孔乙己, 阿Q正傳 and the other stories that started modern Chinese literature.
Twenty-three prose poems — short, dark, and strange. The most literary and most challenging collection here.
The greatest of the Qing novels — the Jia family's slow ruin and Baoyu's doomed love for Daiyu, in one hundred and twenty 回. The last forty are traditionally credited to 高鶚.
The Ming-dynasty classic — Monkey, Pigsy and the monk Tripitaka's journey west, one 回 per chapter, all one hundred of them.
More authors coming — everything published here is verified public domain in both China and the US. How we check.